Kinematografie

below 3D DCP 2K 7 min 2019		Shortly before the end, driven ones were penned into the forest; nothing to eat, to drink, no shelter. The traces are still visible: pits, scars in the trees - they pass away. Below is another iteration of the Wanderlust series. The notches, initials, numbers in the tree barks, and the place still whispering of his testimony are being negotiated; a contemplation about covering and revealing [verdecken und entbergen] in the "Forest of Below".
Tree Again 3 x 16mm triple projection performance, ChromaDepth 8 min 2018		Volksbühne Roter Salon, Berlin 2018
Wanderlust #1 3D DCP 2K 9 min 2018		Wanderlust, iteration #1 follows the trees of an alley. There are 64 of them, seen with two eyes - and in spring again. The path offers no destination, the repetition changes. A twofold picture of time, space and wandering. This stereoscopic film delivers image pairs for two eyes using two different space-depicting concepts. The same trees are visited at two seasons. The soundscape tells of the oscillation of being on one s way or to know of others being on the move. 22th Jihlava International Documentary Film Festival 2018
Zwielicht (Twilight) 2 x 16mm double projection, anaglyph 5 min 2017		This film puts the double-visibility of stereoscopic devices to the test. By the double projection of two independent projectors the sync in time is impossible and the common 3D effect gets obsolete. Now the projected images may be singular, parallel, inverted or synchronous to each other. With the offered experimental arrangement the own eyes could be observed at work. This film is made on and with film. Following structural concepts three iterations examine the media itself. The film is not just penetrated by light but by punches, too. The images are limited by the screen or a mask or a hole. The offscreen becomes part of the picture and gaps, delays and afterimages tell film. Process, Experimental Film Festival, Riga 2017
ROTARIO 3D DCP 2K 9 min 2016		ROTARIO performes a trip through time and space. The experimental Stereo3D film consists of a single, monoscopic shot of a carousel ride. First, the image is flat, only passersby cause small irritations. The ride begins and the carousel unfolds into the depths of space. Then the image disjoins into eight fields, each with its own time. The continuous trips diverge, oppose. Finally, the spaces find in a field together, but everything is now different than before. A spacetime image - out of this world. 63. Internationale Kurzfilmtage Oberhausen 2017
Dead End, rewind reversal 3D DCP 4K 11 min 2016		The camera's eyes follow the rail track through an autumn forest until the ruins of a bridge are reached. The film is at the end and goes back to its beginning. Four times over each other, four times next to each other. Dead End rewind, reversal puts many certainties about stereo3D to the test. Contrary to the principles of beautiful stereoscopic craft the film is, in an archaic gesture, shot on film with a spring mechanism camera. The immersive space image is a byproduct. Finally, stereoscopic cinema is made for two eyes: each eye its own image. These images may be singular, dual, parallel, synchronous or parallel to each other and singular or dual sync and etc. With the offered experimental arrangement the own eyes could be observed at work. This film is fragile and clear at the same time, see for yourself! 20th Jihlava International Documentary Film Festival 2016
Phyrphoros HDTV 5 min 2016		To recover the fire for the people, Prometheus lifted a long stem of the giant shell into the sky to light it on the sun cart. With this blazing torch he hurried back to the ground and set a pile of wood on fire. Since then Prometheus is also called Pyrphoros (Fire-Bringer). Scotty Enterprises, Berlin 2016
*Sepp Herberger 35 mm 7 min 2013-15		*Sepp Herberger negotiates the twilight between analogue and digital. The digital punch code is viewable as physical event and vice versa the analogue celluloid images have been transferred through the internet. Film, a fleeting event limited on the very moment of its show, becomes manifested in this work as an object, a medium of thoughts. Handmade manipulations of the celluloid visualize this. Ausland, Berlin 2016
Bäume im Frühjahr 2/13 HDTV 6 min 2013		Ach, ich weiß noch, wie ich mich für ein Referat über diesen Österreicher gemeldet hatte; den Namen noch nie gehört, gerade erst gestorben. Und dann konnte ich kaum was finden über den, das Netz noch dumm. Ohne einen der besprochenen Filme gesehen zu haben, hatte ich Film an sich verstanden - ganz grundsätzlich und allgemein. (Für Heinz)
Blinder Fleck 16 mm 6 - 12 min 2013		Dieser Film durchleuchtet sich selbst, einzelbildweise fotografiert, als ganzes bemalt, positiv belichtet, negativ kopiert. Gebiert das Licht den Schatten oder strahlt im Schatten das Licht? Und was erzählt der Blinde Fleck über eine Familie? 63. Internationale Filmfestspiele Berlin, Forum Expanded 2013
Spiegelpalast Installation HDTV, Loop stereo3D 16 min 2012		Eine Doppel-Projektion in Stereo3D. Aufnahmen eines Gebäudepaares, ICC - Palast der Republik (Ruine), werden in einem stereoskopischen Bildraum zu einem dritten Raumbild verwoben. Initiative Weltkulturerbe Doppeltes Berlin, HKW 2012
SORORI Video für ein Musiktheater 2011		Musiktheater von Ulrike Ruf SORORI entwickelt sich aus dem multimedialen Material eines Nachlasses. Neben den Tagebuchtexten werden Bruchstücke aus Mixkassetten, Tonaufnahmen, Notenmaterial sowie Super 8 und Video verwendet. St. Elisabeth-Kirche Berlin 2011
inHeim HDTV stereo3D 15 min 2008		Der Film setzt die mit miler begonnene Erforschung der Stereokinematografie als künstlerische Gestaltungsebene fort. Agora - Volksbühne draußen, Berlin 2009
miler HDTV stereo3D 17 min 2006		Eine Stereokinematografie die das Potential des Raumbildes untersucht. Einäugige Aufnahmen - durch individuelle Kasche begrenzt - sind in einem Bildraum in der Tradition des Strukturellen Films montiert. Hieraus ergibt sich ein Bild aus Synergien und Gegenläufen in einem dreidimensionalen Metapanel. EXiS, Experimental Film and Video Festival, Seoul 2007
Plateau PAL 28 min 2005		Mehr, als das Sichtbare. Das Nichtformbare eingefasst in Architekturen. Räume, durch ihre Begrenzung erweitert. Die Außerwelt dringt ein. re/act-Festival, Mannheim 2006
Fish in Water PAL 90 sec 2002		Eine reflexive Tierparabel DepicT!, Bristol 2002
Loop#1 35 mm 2 m 2002		Ein asynchron geschlossener Möbius-Loop, der das Darstellungspotential des Films über das des Filmträgers erweitert. Parallelmontage, Kino Arsenal Berlin 2002